![]() I am shocked by Tony's views about using aps-c cameras with full-frame lenses. Well, I own a bunch of A-mount Sony digital cameras, full-frame and aps-c lenses, and a KM 7D. I know, from seeing his other videos, that Tony is not a fan of Sony cameras, especially A-mount Sony cameras. TECHNICAL: Full-frame lenses on APS-C cameras is USUALLY bad The E 11mm F1.8 will cost $550.I viewed the this video by Tony Northrup: The E PZ 10-20mm F4 G and the E 15mm F1.4 G will cost $750 each. Sony’s 3 APS-C lenses will be available in July. Precisely controlled spherical aberration and a circular aperture mechanism further contribute to the smooth bokeh produced by this unique lens.” “Users can blur the background, so they stand out clearly when vlogging, or create beautiful blur in ultra-wide night scenes. Lastly, the ultra-wide and compact E 11mm f/1.8 prime lens, is designed for vlogging and includes selfie-style recording at arm’s length as well as interior shots and images that make expressive use of depth of field. According to Sony, the large f/1.8 maximum aperture of this lens makes it easy to achieve deep and natural background bokeh. With a 35mm full-frame equivalent of 16.5mm, this lens delivers outstanding corner-to-corner resolution, gorgeous bokeh,” according to Sony. ![]() “The E 11mm f/1.8 is a compact large aperture, ultra-wide APS-C prime lens designed for vloggers and shooting video on the go. This compact and lightweight prime includes excellent AF (autofocus) capabilities, and is great for both still and cinematic imagery. Next, the E 15mm f/1.4 G lens, reported to have the best overall image quality of the three lenses, offers beautiful, shallow depth of field plus G lens resolution in a versatile APS-C lens design. Focus: Dual linear autofocus motors, linear manual focus.Construction: Two ED glass elements, one ED aspherical element.The lens has also been designed to be dust and moisture resistant to provide extra reliability.” Users can attach 62mm screw-on filters, such as variable ND filters, for more creative control. ![]() A customizable focus hold button and focus mode switch have been thoughtfully incorporated to easily adapt in changing shooting conditions. “The compact power zoom lens E PZ 10-20mm f/4 G is designed to maximize control and versatility for video as well as stills with a focus ring, zoom ring and zoom lever. Sony says the E PZ 10-20mm f/4 G is 20 percent lighter than its predecessor, with a total weight of just 6.3 ounces (178 grams). Positive reviews cite the lens’ small size, versatile zoom range-from ultra-wide to standard wide (15-35mm equivalent)-sharpness. We see the APS-C platform as the perfect option for these video-first and hybrid creators, and we’re dedicated to creating new products that will allow them to capture and create in ways they never could before.”įirst up, the E PZ 10-20mm f/4 G, being touted by the company as “the world’s smallest and lightest ultra-wide angle, constant f/4 APS-C power zoom lens.” The lens remains a constant length throughout the zoom range and offers refined visual expression and operability that only a power zoom lens can provide. “In recent years we’ve seen a growing customer demand for video-and-vlogging-first products that are lightweight and include creator-driven features. “Amidst the ever-changing camera market, Sony’s commitment to creating industry-leading tech for all its customers is unwavering,” said Yang Cheng, Vice President, Imaging Solutions, Sony Electronics Inc. Sony’s 3 APS-C lenses bring its E-mount lens family to a total of 70 different models, which the company says should appeal to hybrid content creators who shoot both still and video. Sony recently announced its expanded E-mount lens lineup with the introduction of the power zoom G lens-the E PZ 10-20mm f/4 G- along with the E 15mm f/1.4 G lens and the ultra-wide prime E 11mm f/1.8 lens.
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